Ethiravan Kathiravan June 5, 2011 There is no other theater form which imposes a world of illusion the way Kathakali does. Grandeur unparalleled, befittingly non-worldly, stylization ultimate, drama evocative and magically surrealistic, Kathakali is the wonder of theater. Often designated as total theater, Kathakali offers more than theatrics. It encompasses Read more…
Mohanan Nambiarath September 3, 2011 ‘King Oedipus’ is a Katnakai adaption of the play by the same name, written by Scphocles. Sophocies was a dramatist and play writer who lived in 4th century B.C. in ancient Greece. He has written several plays. of which 4 of them are about the Read more…
Sreevalsan Thiyyadi December 28, 2013 Kalamandalam Vasu Pisharody’s surely successful but possibly unintentional bid to bind certain techniques and aesthetics of Koodiyattam with Kathakali merits massive research For many who have been exposed to Koodiyattam and Kathakali in what little or sufficient doses, one essential point of distinction between the Read more…
Jyotsna Krishnan June 21, 2014 The paper tries to analyse the theatrical and narrative techniques of Kathakali with special reference to Ravanotbhavam of Kallekulangara Raghava Pisharody. The concept of narrative is described in the shade of the theory of Narratology in which the major concepts of Genette and Propp are Read more…